ART BY TECHNIQUE: collage Feed

BUYING ART. A SIMPLE GUIDE FOR THE PERPLEXED

Buying art a simple guide for the perplexed liza cowan how to buy art

 

Cross posted from my blog at smallequal.com

I love when people say “I don’t know much about art, but I know what I like.” That’s all you need to know. Sure, the more you know about art history, art theory etc. the deeper your appreciation will be, but when you are buying art for your own home, your number one priority is to buy something that you like, something that makes you happy, something that pleases you. 

 

I ran an art gallery for five years, and the worst customer was the art snob. The best customer was the one who stopped in front of a piece of art, caught their breath, and said, “I love this!”  If your heart leaps when you see something, that’s your cue.

 

Other than that…here are some things to consider.

 

Size

You can approach this as finding a piece of work to fit into a particular space. Empty wall above the couch? You can fill it with one large statement piece, or lots of smaller pieces grouped together. Your choice. It’s usually not a good idea to have just one or two small pieces randomly placed in a large space. Each piece should be placed with purpose. This is true of everything you put into your house.

 

Color

Don’t know where to start? You can buy art to match your curtains or fabric on your chair, as long as you love those colors.  I think this is a great idea, but don’t tell art snobs you did this unless you are prepared for a look of condescension. If you don’t love the colors, don’t buy anything else that uses them. Please.

 

I remember decades ago I had a bedspread that I adored. It made me so happy to look at it. When i decided to paint the walls of my bedroom, I matched the predominant color in the spread. It was a deep, deep blue. I never would have thought to color my walls such a deep color but I was ready to experiment and it was wonderful. The people who make fabrics are generally very knowledgeable, and it’s fine to follow their lead.

 

You probably know which colors resonate for you. If not, spend some time looking a the colors in nature, in photos, on fabric, on pinterest, on your clothing, in magazines, and take note of how you are responding. If you feel happy when you look at those colors, those are the ones to go for. If you want to go the extra mile, make a color board. I like to use pinterest, but you could tear out photos in magazines and keep them in a file. See if you keep liking them.

 

Subject matter

Some people love horses. Others love rusty old boats. Some people love to look at pictures of children, or of grandpas. You might love seascapes, or you might love old portraits. Maybe you love old woodcuts, or brand new shiny abstracts. When you are starting an art collection, you might think about collecting based on themes. You probably won’t stick to one theme, but it’s a place to start. You could have several vintage nursery rhyme prints all framed the same and hung in a group for a wonderful and inspiring wall.

Think of collecting art as a treasure hunt, and always be on the lookout for images of poodles, or boats, or rocket ships. You’ll have fun, and probably end up with a fantastic collection that not only resonates for you, but is also engaging for others to look at.

 

Artist

There may be one or two artists whose work you love. Even very famous and pricey artists usually are reproduced on posters, or open edition prints. Newer artists work is often affordable. If you love an artist, think about collecting their work. Go to local art fairs and craft shows. Go to open studios and art walks. Talk to the artists. You could think about buying one piece a year, for instance. There was one local artist whose work I liked a lot. She made very small paintings of chickens. I thought they were charming. I visited her studio every year during a regional art tour and bought one or two paintings per year. They were only about $25 apiece, but after four years, I had a nice little collection.

 

Genre

I had an obsession for paint-by-number paintings for a while. Yes, it was for an exhibition at my gallery, and I bought about 75 paintings over a five  month period on ebay. That was so much fun. And it was the most popular show I ever ran. It practically sold out. But if you love a particular type of work, go for it with gusto. You don’t have to by 75 paintings. You probably shouldn’t unless you plan to sell them. But if you love black and white photos from the 1940’s, go for it. Or you love engravings of flowers. Or children’s book illustrations. Or you love collage, or manhole cover rubbings. Maybe you think kids art is amazing - I know I do! Or paintings on velvet, if that’s your thing. You like pencil drawings, or, well, you get the picture. Think genre.

 

Price

You know your own price range. Generally art is not cheap, but it doesn’t have to be super expensive to be good. Original, unique pieces will probably be more expensive. Hand made prints, like silkscreens, lithographs, woodcut prints, monoprints, etc can be more expensive, but not necessarily. Some artists like making their work very accessible, which often means affordable. Others do not. It takes a lot of time, practice, and labor to make art. Artists often spend decades learning their craft, and should be paid well, but it’s up to you, the buyer, to be mindful of your own budget.

 

That’s it.

LOVE. Buy what you love! If your heart leaps, that’s the cue.

And keep these things in mind:

  1. SIZE
  2. COLOR
  3. SUBJECT
  4. ARTIST
  5. GENRE
  6. PRICE

 

Let me know what you think.

 

PS: Be sure to check out all the art I have for sale at smallequls.com  my shop. 

 

PPS: sign up for my mailing list. You may get a fun email someday.


NEW PRODUCT - CUPS FROM SMALLEQUALS.COM

In the ten years I've been doing this blog, you've seen me introduce a host of new products. Some sold well. Others didn't. Running a business is always a process. Or, as the trendies say now, a "journey."

Now I'm introducing mugs. I found a wonderful printer in the US that manufactures and drop ships. That's great for me, because the last thing I want is shelves full of inventory and trips to the post office. That was fine when I was younger, but now...no thanks. But with all the advances in print technologies and online servicing, it's now relatively easy to do make a great product AND have it delivered to the customer's home in a pretty package, safe and sound. 

Phew! Here's where to shop

 

 

cup, when women rule everyone will be free, 11 oz mug from small equals
When Women rule, everyone will be free. 11 oz mug from Small Equals


 

When Women rule, everyone will be free. This is a variation on a print I designed, first as a silkscreen and then as a digital collage. Now available in mug form. The girls are a highly altered version of a mid 20th century matchbox label. I just adore them, and use them over and over.

 

Mug, Lead your own parade, smallequals.com
Lead Your Own Parade. 11 oz mug from Smallequals.com
 

 

Lead Your Own Parade. This little saying popped into my mind a couple of weeks ago, I thought it would be a cheerful idea to ponder with morning coffee or tea. I went on an image hunt,  I found this illustration at a library digital collection, from a 1902 children's book illustrated by Maud Hunt Squire and Ethel Mars. It suited perfectly. 

Children of our town  carolyn wells  illustrations by E. Mars and MH Squire 1902  copy
The Children Of Our Town. Carolyn Wells. Illustrations by E. Mars and MH Squire. 1902

 

I went ahead and cleaned it up in Photoshop, designed the template for the cup manufacturer, and then set about researching the artists. I found Ethel Mars and Maud Hunt Squire.

Lo and behold the Misses Squire and Mars were American artists who met in art school in Ohio in the 1890's, then moved to Paris where they became pals with Gertrude Stein and Alice Toklas, and of course they worked and exhibited with many of the artists there. 

During world war one they moved back to the US and lived in Provincetown, MA, then back to France, where they lived in Vence. During Ww2 they hid out in Grenoble, then went back to France until they died in 1955 and 1956. 

The Gertrude Stein's word portrait "Miss Furr and Miss Skeene was based on them. .

And now they've landed on my cup. I'm delighted but no longer shocked by these everyday moments of serendipity. 

 

Mug LOVE YOUR MOTHER EARTH SMALL EQUALS CUP MOCKUP
Love Your Mother Earth. 11 oz mug from smallequals.com

 

Love Your Mother Earth. Yes, I use this phrase often in my art and products. Because it's so important! This design is based on another print I made as a silkscreen. The silkscreen design was based on a photo I took of a package of Easter Jelly Beans. I'm not a Christian, but Easter packaging always makes me happy. The colors!! 

This digital version, quite different from the original, is now gracing a mug. My goal is to give you something happy and positive to absorb with your hot beverage of choice. I think it's so important to start the day with happy thoughts to set the tone for the rest of the day. 

Here's what it looked like as a silkscreen. I made this and all my silkscreens at Iskra Print Collective in Burlington, VT.

 

silkscreen, liza cowan, jelly beans
Jelly Beans silkscreen by Liza Cowan 2017 


 Find the cups here


THE AMAZONS ARE STILL TRAVELING

The Amazons are still travelling. Digital collages by Liza Cowan. Here's a sample of where they've been. For the complete series check them out on Flickr

Day 6 amazons annlon-y water is life
Amazons Allons-Y. Water Is Life. No Fracking

AMAZONS ALLONS Y STATUE OF LIBERTY AT NIGHT Liza Cowan CowanDesign
Amazons Allons-y. At the Statue Of Liberty

Amazons allons y, chanter la voix de la terre mere day 22 paris Liza Cowan CowanDesign
Amazons Allons-Y. In Paris.

AMAZONS DAY 25 LISTEN DEEPLY Liza cowan CowanDesign
Amazons Allons-Y. In Bretagne.

Amazons allons Y day 39 Westminster Abbey Hospital T.S. Boys St Margaret, Westminster with Westminster Hall beyondR.
Amazons Allons-Y. London, Westminster Cathedral

Amazons allons y day 45 Egypt nefertiti, liza cowan CowanDesign
Amazons Allons-Y. In Egypt


Amazons allons y day 46 circle the sky
Amazons Allons-y. Circle the sky

Amazons allons y day 57 think. Liza Cowan CowanDesign
Amazons Allons-Y. Teipei

Amazons allons y day 52 Liza Cowan CowanDesign
Amazons Allons-Y. Seeds Awaken


Amazons remember matriarchy Liza Cowan CowanDesign
Amazons Allons-Y. Remember Matriarchy. Teipei

Amazons allons y. the magic behind magic quote Douglas Hofstadter Metamagical Themas. Liza Cowan CowanDesign
Amazons Allons-Y. the Magic.



AMAZONS ON WALKABOUT

The Amazons are on walkabout, roaming the earth and skies, at work and at play.

 

ALLONS-Y cowan design
Amazons Allons-Y. Let's go save Mother Earth. Liza Cowan/CowanDesign

 

 

AMAZONS ALLONS Y ENGLISH TREES LARGEAmazons Allons-Y. Background from the cover of  the charming children's book, Trees In Britain, by S.R.Badmin, Puffin Picture Books. Amazon drawings based on Greek vase paintings. 

 

Amazons, Egypt, Liza Cowan/CowanDesignAmazons, Let's Go Make Mother Earth Safe For All. Made on Sept. 12th,  just after the news of the troubles in Cairo and Libya. Safety for all beings on the planet.

 

Amazons allonsy y day oneAmazons Allons-Y.  CowanDesign

You can follow the Amazons on Flickr  


Canadian Clouds

 Canadian cornfield, big fluffy clouds, harvest, rt 135, photo liza cowan
Clouds Over The Field, Canada. Liza Cowan photo

Driving home from Montreal yesterday afternoon just after a rain. The clouds were so pretty, the cornfields so autumnal, and the light so perfect, I had to stop and snap a few pics. South of Montreal, north of Vermont, on Rt.133.

 Candian clouds, big clouds, puffy clouds, truck on road, photo liza cowan
Truck, Field, Clouds, Canada. Liza Cowan photo


 Silos, canada, harvest, hay wagon, puffy clouds, sunlight reflection, farm buildings photo liza cowan
Silos, Clouds, Canada. Photo Liza Cowan.


W. David Powell

One of my favorite artists, W. David Powell, is now showing at Pine Street Art Works. David and I share a love of vernacular images, scientific and advertising ephemera, and new ways to look at and incorporate cultural detritus in new art.

David Powell, Hail to the hybrid, art print, collage,  

W. David Powell, Hail To The Hybrid, used by permission of the artist.

D. Powell Machine For Manufacturing Beauty, digital print, collage 

W. David Powell. Machine For Manufacturing Beauty. Used by permission of the artist

Most of the pieces in the show "were constructed in Photoshop from diverse source materials that range from Anton Mesmer's noteboooks, Maxwell's electrical diagrams to phrenological, physiological and geological texts. Numerous other books as well as images from contemporary medical imagers technology provide further material for creating combinations that invite new interpretation and analysis. The use of digital montage has become my primary medium for art making, though I sometimes use old cut-and-paste methodology along with traditional drawing and painting tools. The beauty of the digital medium for me is that it can become just another tool in my art kit. It does not necessarily replace traditional media, it just augments them." W. David Powell.


w david powell, collage, digital print, loudspeaker, ladder, curiosities  

W. David Powell, Broadcasting Democracy. Used by permission of the artist.


STAY TUNED FOR THESE GREAT NEW EXHIBITS AT PINE STREET ART WORKS

Some of these artists I've already posted about, some not. I'm so excited about the lineup of shows at PSAW. Even though times are tough, and businesses are tumbling like dominoes in an earthquake, we here at Pine Street Art Works (and Atelier Tove) are determined to keep going and thriving.

APRIL - TIM MATSON/ PILOBOLUS

Pilobolus
Tim Matson photo of Pilobolus. Dance called Untitled.copyright 1978. Used by permission of the artist.

The dance troupe Pilobolous began in 1970 at Dartmouth College. Tim Matson began photographing them early in their career, and, in conjunction with a Pilobolus April 11th performance at Burlington's Flynn Theater, PSAW will exhibit a dozen or so of Matson's original prints. Matson's book of Photographs, Pilobolus, was published by Random House in1978 and is still available through used book dealers.

MAY OR JUNE - DAVID POWELL

Plattsburgh NY/ Burlington VT artist/educator David Powell will show his collages and prints at a date to be announced. I've been a fan of David's for a few years. He had a show last year at Burlington's Fleming Museum which was super.

Into-the-future

Into the Future. David Powell. Copyright 2000. Digital print mounted on Wood Panel. Used by permission

AUGUST - ALIINE SMITHSON

Aline has been winning awards and grants left and right, and I'm happy to say I knew her when. She will be exhibiting here in August.

1 

Aline Smithson. Arrangement in Green and Black. Portrait Of The Photographer's Mother. Copyright Aline Smithson. Used by Permission

SEPTEMBER - TMNK - THE ME NOBODY KNOWS

I've blogged a lot about TMNK, but here's another image and a reminder that this amazing NYC street artist will be here on Sept 11th for the Burlington South End Art Hop. 

FRMcoldhands   

TMNK-The Me Nobody Knows. Copyright 2009. Used by Permission.

APRIL 2010 -CAROL GOLEMBOSKI

Cheiromancy 

How To Read The Hand. Copyright Carol Golomboski. Used by Permission

"Psychometry is a series of black and white photographs exploring issues relating to anxiety, loss, and existential doubt. The term refers to the pseudo-science of "object reading," the purported psychic ability to divine the history of objects through physical contact. Like amateur psychometrists, viewers are invited to interpret arrangements of tarnished and weathered objects, relying on the talismanic powers inherent in the vestiges of human presence. These images suggest a world in which ordinary belongings transcend their material nature to evoke the elusive presence of the past. 

Safe

Copyright Carol Golomboski. Used by Permission

Through an examination of fortune-telling and clairvoyance, many of the images confront the desperate human desire to know the unknowable, historically referencing the Victorian interest in spiritualism as well as the look of the nineteenth century photographic image. Illegible text and arcane symbols in pictures with themes like palm reading, tea leaf reading, and numerology force the viewer to consider man's insatiable need to anticipate his own fate.

The concept behind each picture dictates its darkroom manipulation, sometimes requiring research and revisions that last weeks or months. Combining photography with drawing, seamlessly incorporating photograms, integrating appropriated text, and scratching the emulsion of the negative create images where horror, history, and psychology occupy the same imaginative locale." Carol Golomboski from Photo Eye Gallery