DYKE A Quarterly

SIDE TRIP: The Great American Lesbian Art Show. Los Angeles, 1980. Liza Cowan's Journal

In 1979 The Woman’s Building in LA hosted and sponsored GALAS, The Great American Lesbian Art Show. In addition to the invitational show at the Woman’s building, GALAS was structured to include independent Lesbian art shows in communities all over the United States. One of the shows was in Saugerties, NY, curated by Susun Weed, Billie Potts, Liza Cowan and probably some others.

As part of GALAS,  The Woman’s Building hosted Amazon Ambosia, an event produced by Terry Wolverton and Bia Lowe. I, Liza Cowan, was invited as one of the two guest artists. DYKE A Quarterly had recently folded. This is an excerpt from the journal I kept during my trip to LA for the event.

 

Newspaper notice for GALAS, Amazon Ambrosia, Los Angeles 1980

Monday, Jan 28, Los Angeles

At Terry Wolverton and Bia Lowe’s house

It’s raining this morning and the house is quiet. It’s nine a.m. Yesterday’s event, Amazon Ambrosia, was a huge success. There were about fifty women there at The Woman’s Building for the art sharing. Janet [Meyers] was there which made the event real for me. There were some other New Yorkers, too. Judy Reif who used to be lovers with Fran Winant, who now (Judy) lives in San Diego. Harmony Hammond was the other guest of honor. She has a wonderful haircut, and is, or seems to be, a warm, smart and interesting woman. She had a cold and seemed to be feeling a little out of it. So we all sat around in a huge circle. Terry spoke for a while about GALAS [the great American Lesbian Art Show], then we went around the room and everybody introduced herself. That was good. I had been sort of nervous about my presentation till I knew who everyone was. It made us all somewhat equally exposed. So then I gave my presentation. I spoke about Electra [my radio show on WBAI-FM, Electra Rewired], about COWRIE [magazine] and DYKE and the buttons    [White Mare buttons] and the Archive [white mare archive] and then I showed my portfolio. I explained how to make projector pictures and resist pictures. I explained how my art isn’t ARTY, just homey art, that it is a form of journal keeping for me, but as with all my work, I am quite willing to share the intimate details of my life. I spoke about breaking up with Alix [Dobkin], everybody gasped when I said we’d been monog for 6 ½ years. I showed my self portraits + my cards for Alix and Deb, and talked about the cards. I had a wonderful time. Just wind me up and let me speak. I could have gone on and on, but I only had a half hour so I didn’t even finish showing my portfolio. I showed the Amazons [Amazons On Parade series of paintings done with Susun Weed and Billie Potts] but I didn’t get a chance to show My Golden Pamela, which is one of my faves. Anyway, women seemed to like my presentation. I knew that if I went and was me, exposed myself, told stories, etc. that they would dig it.

Amazons On Parade. Paint on butcher paper. Liza Cowan, Susun Weed, Billie Potts. 1979. Hanging in the living room at 3 Maple Farm, Preston Hollow, NY.

How not to? The feedback was: they loved the cards. “thank you for sharing (big word here) yourself so intimately” “thanx for telling technique” “I really identified with the breaking up experience” “you were charming” I love to be charming. It’s one of my better acts. Not an act, really. A facet.

 We had a one hour break to eat vegetables + cheese, then we danced which was fun. Everybody was dancing in couples but I managed to make it into a circle + more free form. I don’t mind couple dancing but I don’t like it when it’s all there is, esp on a big bright dance floor with only 6 or 8 women dancing. Terry + Bia made a good tape.

  After dancing we all sat down and watched slides + listened to the artists talk. Oh yeah! Before the break Harmony showed slides of work by Lesbian Artists mainly from NY but from some other places too. Some of it was really exciting and it was good to see so much Lesbian art all at once.

 Nancy Fried + Clsuf were my favorite artists. Nancy does wonderful little sculptures – pictures of domestic details of her life + the lives of friends. She’s a Philadelphia Jew + very warm + funny. Her lover Clsuf makes buttons, cards + graphics. I like her work very much. It’s much like my own. Also I like Bia’s work. She showed her portfolio at the end.

 The event was over at six. We cleaned up, went out to dinner then went to Terry + Bia’s spirituality group... I participated fully, of course, but we were all exhausted. Terry was absolutely frazzled.

 For Sat Jan 26

We did errands in the morning, Terry, Bia + I.  Then at two we went to a very nice apartment for a tea party honoring and showing the work of Nancy Fried. It was a most elegant party. All the girls were quite dressed up. The music was calm. Stevie Wonder, “The Secret Life Of Plants” and a woman actually playing flute, live, in the apt. Women sat around and stood around and yapped. I wore my purple skirt, green shirt, orange tights and my new Lady shoes. There were a zillion sweets to eat. Harmony was there in an all purple outfit looking squeezable, which I told her + squeezed her. Joanne Kerr arrived with Kirsten Grimsted. Kirsten + I started to talk shop, but made a date for me to go to the Chrysalis office instead. I have a feeling that the women have a slightly snobby attitude toward Country Women [the magazine, which a group of women I was involved with back in Woodstock were proposing to buy to take over publication from the Catskills] like it’s a hick publication. It’s very subtle, though and who cares. I feel like such a country DYKE here and am glad of it. I said so in my presentation Sunday, too. The city is disgusting. I don’t understand why anybody would choose to live here. I don’t think there’s much that can’t be done from the country. Anyway… Janet arrived and we mainly hung out together which was good because it was so good to see her and talk to her. She’s such a good friend. I’m happy to have found her again. Donna Dietch came in. She and Janet had just had dinner the night before.  It was good that Janet knew some one there too. I always want  everybody to know what a good artist she is. Donna and her lover of many years are just breaking up and she and Janet and I had a satisfying conversation about that, not just party talk...

Nancy Fried, The Woman's Building, sculpture

Phranc was there, a real cute little punker. We first met at the Lesbian History Exploration in ’75. It was good to see + speak to her. After a while I got pretty bored with neck up communication, longed for our Catskill style of disco corners and home made food. I was glad, however, to be with all the LA women. I am homesick, but I do not with to be with my home friends…

 Back at Terry and Bia’s we watched slides of some GALAS artists and looked at Bia’s slides. She has a very interesting vision. Very city, however. I think she’d be happier in the country. I like her quite a bit. I think we could be friends but it is not too easy getting to know her. For one thing she and Terry and quite the couple. They seem to be into couples around here. Not much consciousness about relating as individuals or what ever it is we seem to be working on at home as a community.

 Terry is an excellent publicist. I admire her drive, her ambition, her outspokenness.

GALAS button. Keep Lesbians Busy...making art!

Here’s what’s really nice and also funny: on this visit I am accepted by the LA Women’s art community as a peer and an artist. This seems to include the Chrysalis women, who last visit, seemed to want to have nothing to do with me. This is due to, naturally, changes + evolution. I’m not so snotty + neither are they. Also due to the fact that I invested $2,000 in Chysalis, thanks to Joanne. And Terry also liked me and my work, so included me in Ambrosia, therefore I am sort of a visiting personality. That the event co-starred Harmony (actually everybody was a star, but Harmony and I got publicity) was a help, too. It is nice because I feel good about being considered an artist and respected as such. It’s good for my self esteem and will be good for Country Women.

Harmony Hammond. Hunker Time. 1979. installation photo by Brian Forrest

I spoke to Harriet Bye [former editor at Country Women] last Friday. She’s not on the CW staff anymore but said that she thinks they’d be happy to sell the mag to us. Janet spoke to  Billie the other day. So did Susun and River. According to Arya, Billie still wants to just buy the mailing list, but it’s gotten bigger than just Billie now. I’ll call her one of these days.

Tonight is a dinner party at Arlene Raven’s.  Janet + I are going. I  think it’s a party for Harmony. Kirsten [Grimsted] will be there too.   I’m curious to see the art elite at home. None of them was at Ambrosia.

 Friday Feb 1^st.

I spoke with Helen from Ti farm a few days ago. She said she was afraid that CW would become too dykey under out supervision, She said that she was afraid to read DYKE. So that was depressing. They are going to have a meeting and get back to us. Then yesterday I spoke to Kirsten and Janet about it and I am left with the thought that CW can never be self- supporting. Not the way I would want to do it. My political and artistic vision is too radical. The mag biz is so hard anyway. Then, trying to sell to a group that is unwilling if not unable to support it financially? We would need to capitalize with $50,000 at least. We don’t have it. I won’t give it, even if I could. I don’t think that our crowd has the vision to share with me. Of all of them I work best with Susun and River, but they’re not writers. Don’t have a passion for magazines. B writes but I hate her style + I’m afraid we are not compatible. So if the others want to go ahead + do it, fine. I will help but not run it. I want to focus on my art. A mag could be the place but not now, not CW.

>about Monday Jan 28

Janet and I drove to a party at Arlene Raven’s. There were 12 women there: Arlene, Cheryl Swannack, Harmony Hammond, Lily Lakich, Donna Deitch, Susan Rennie, Dr. Nancy Sabin and a couple of others whose names I’ve forgotten. We had an unmemorable dinner. They were busy snapping polaroids which was fun. They took a couple of real goodies of me which they kept. They gave me this one, which Donna took of the group.  Susan and Nancy had already gone home. Everybody poured on the charm and it was very entertaining Cheryl took us on a tour of the house which has beautiful bathrooms. I told her about my miniature bathroom collection. She said Jane Wagner also collects miniature bathrooms. The first thing Cheryl said to me was how much she loved DYKE. Several other women agreed. That was gratifying. I have heard many compliments to DYKE on this trip. More than ever before. Fits my theory that it is easier  to love it now that it is defunct and poses less of a threat, tho I believe that they all did love it alive also. I wish PMAH [Penny House] could hear the compliments first hand. I try to pass them along but I’m sure its better to hear it from the lips of the women

Party at Arlene Raven's house. Clockwise from Cheryl Swannak (with raggedy ann) Arlene Raven, Harmony Hammond, Liza Cowan, Janet Meyers...the rest I'm not sure. Someone help. Included are Lily Lakich (with rose?) Donna Deitch (in stripes?) Susan Rennie?

Feb 2^nd

Janet drove us to Arlene’s for another party. Catherine Nicholson and Harriet Desmoines were there from Sinister Wisdom. I felt a little out of it and couldn’t really focus on the party. One funny thing was that Catherine really nailed Susan [Rennie] and Kirsten [Grimsted] about why Chrysalis isn’t Lesbian identified. It was especially funny because it was a role I would ordinarily choose to take on and though I’m sure I wouldn’t have, I really enjoyed seeing them debate. I only had to add that Chrysalis women are not at all present in the mag whereas PMAH + I were very present in DYKE, and Catherine are in Sinister Wisdom. I personally prefer presence as a tone for the mag.

 

Women mentioned in this journal entry:

Liza Cowan: editor, DYKE A Quarterly, artist

Harmony Hammond. Artist, writer

Terry Wolverton: writer, editor, artist producer

Bia Lowe: designer, writer

Janet Meyers: film maker, film producer

Judy Reif: Activist

Fran Winant: poet, activist

Penny House: editor, DYKE A Quarterly

Susun Weed: artist, writer, herbalist, teacher

Billie Potts: herbalist, writer, activist

Alix Dobkin: singer, writer

Nancy Fried: artist

Clsuf: artist

Kirsten Grimsted: writer, editor

Donna Deitch: film maker

Phranc: Pholksinger

Harriet Bye: writer, editor of Sinister Wisdom

Arlene Raven: art historian

Cheryl Swannak: producer

Dr Nancy Sabin: doctor

Susan Rennie: writer, editor of Chrysalis Magazine

Lily Lakich: neon sculptor

Jane Wagner: writer

Joanne Kerr:

Catherine Nicholson: Editor Sinister Wisdom

Harriet Desmoines [Ellenberger]: Editor Sinister Wisdom

 

 

 

 

 

 

SIDE TRIP: FILM: The Oldest Lesbian in The World

Nearing 100 years old, a national treasure, Bobbie Staff whimsically exposes a rare and revealing insight into the romantic life of a butch lesbian born in 1913. Accompanied by her long time friend, Sweet Baby J’ai,  Bobbie takes us on a trip down a very steamy memory lane, through photographs and vivid memories of many decades living her life as an out lesbian in New York City and Los Angeles. More HERE
Copyright © 2012 [traipsing thru films,Inc.]. All rights reserved.

 

Review of DYKE, A Quarterly from The Lesbian Tide "DYKE STRIKES OUT'

 

The Lesbian Tide, a magazine from Los Angeles, really hated us! Here's their review of Issue No. 1:

 

Review of DYKE in The Lesbian Tide, March/April 1976

Dyke purports to be a separatist magazine reporting "analysis, communication and news" of Lesbian culture. What it is in fact is a vehicle for the personal ramblings of its two editors (high-school diary style) and a mishmash of politically naive thinking they call Dyke Separatism.

Separatism, as espoused by Dyke, is a luxury item for the privileged few. For those that can afford it, the best I can say is "Gee whiz, you lucky dykes sure do have a great life". For the rest of us, its crucial lack of awareness of lesbian and women's oppression is classist, ignorant and infuriating. Two examples of this are chronicled in the section called "California Diary."

One is an incident where the two right-on dykes ask a stewardess if she wouldn't be more comfortable in pants, instead of her mini-skirt uniform, and are surprised at her taking offense. She's probably be most comfortable being independently wealthy and quitting that oppressive job where she has to grovel to travelers all day long for crumby money. The issue of pants does not exactly speak to her oppression, since she can't control PSA's requiring stewardesses to dress like sex objects, nor change the fact that she needs the job to survive. How'd they miss the point?

We were both angry and highly amused by this review. Puzzled too. How could the author not get that the one of the things that made the stewardesses job oppressive was that she was forced to wear hot pants? Meanwhile, unbeknownst to The Lesbian Tide, stewardesses themselves were claiming their own power, organizing and changing the rules

Another interesting misuse of separatism is their report of visiting a local feminist bookstore and finding a man (of all things) shopping there. They harass him and finally make him leave. What that accomplished was that it lost the bookstore some money. Six women's livelihoods depend on that bookstore, and in these pre "Lesbian Nation" times men's money has the same buying power as women's. The bookstore is glad to rip it off and  re-filter it into  alternative jobs for women.

Well, as a retailer myself, now, I don't think I'd appreciate my customers harassing other customers, which is certainly what we were doing, as reported in "California Diary." It was interesting, though, that the author felt that selling things to men was "ripping them off" but selling  the same things to a woman was not a ripoff.  Interesting attitude for a retailer.

The worst part of the critique, however, was that the author failed to mention that she was a co-owner of Sisterhood Bookstore. Because we believed so strongly in situated knowledge and transparency, this kind of false - if implied- claim to objectivity really stunned us.

Here's our (rather hot headed) response, which they probably published, or published some of. Click on the thumbnail image and the bigger page will pop up. You can double click to enlarge even more.

 

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DYKE, A Quarterly. No. 1: California Diary

 

California Diary. Illustration, Amy and Phranc at Alix's Concert, drawing by Liza Cowan

 

California Diary. Illustration by LIza Cowan

 

California Diary. Illustration, Syreeta's Car, Berkeley, by LIza Cowan

 

Excerpted Text below in grey. For full text see above. Click to enlarge and make them more readable.

 

April 26, 1975

Penny flies to San Francisco to see Janet who is there working on a film…

 

May 1, 1975

Liza and Alix fly to Los Angeles. Met at airport by Norma NY…

 

May 2, Friday

Penny and Janet drive to LA with Deborah Hoffman and Joan Bobkoff. We all meet at the Lesbian History Exploration…we settle into our bunk…which we share with other New Yorkers, Moregan Zale, Majoie Canton, Joan Bobkoff, Deborah Hoffman, Karen and Jan Oxenberg.

 

We have dinner and a meeting with all 150 women who have come for the weekend. The Exploration collective tells us that we are to break into small groups to CR about  Lesbian history. Penny objects to this attempt to structure our experience but everyone looks daggers at her, so she shuts up….

 

 May 3, Saturday

…Alix sings songs arranged chronologically to show the development of her Lesbian consciousness. Then we listen to Judy Grahn read her poetry, She is fabulous. Lunch. Liza and Alix go to a workshop where a woman presents a Marxist analysis of Lesbian oppression. They argue with her….Alix talks music with Margie Adam. Liza meets another of her pen pals Chocolate. Dinner. Liza gets dressed up in her beautiful green velour suit that Moregan Zale had just finished making. Liza presents her slide show, What The Well Dressed Dyke Will Wear.’” An historical examination of Lesbian clothing from 1900 to the present. Margie Canton does a comedy routine. Then we see a part of Jan Oxenberg's very funny movie, A Comedy In Six Unnatural Acts. We go indoors and listen to two women tell us about the bar scene and the Army in the 1950’s.

May 4, Sunday

At the end of the Exploration we all gather around in a circle to sing songs but nobody knows what to sing. Alix finally leads us in “Beware Young Ladies”.  Snip

 

May 5^th

…we drive to Lee’s office, where she works as a professional feminist, then to Sisterhood Bookstore. A man comes in and starts to look at books. Liza and Penny decide to make him feel unwelcome. He is looking at books on a revolving rack. Liza and Penny surround him, and Liza spins the rack around fast. He pretends nothing is happening. Eventually we force him to leave. The woman in charge of the store calls us fascists and we leave. Later we meet Simone of Sisterhood books, who is more in agreement with our politics. W go to The Feminist Wicca and meet Z Budapest, who tells us a few stories about her recent arrest. Nancy Toder and Alice Bloch, who had been on the planning collective for the Lesbian History Exploration meet us at The Wicca. They take us to their house for dinner. We all get along so well that they invite us to stay with them starting the next night.

 

Tuesday, May 6

…We drive to Hollywood and all around Beverly Hills. Penny buys two maps of the stars homes. …Liza and Alix go to Jan Oxenberg’s for dinner and then on to KPFK to do a live radio show, Lesbian Sisters, with Jan.

 

May 8

We go to the Santa Monica Women’s Center. Jan Aura, Amy, Phranc (who had just cut her hair short) Judy Dlugacz and others come by. We have a discussion about separatism and women’s music. Janet joins us and we drive to visit Liza’s brother and sister –in-law.

 

May 9

..Alice and Nancy drive Alix and Liza to the train station to take the train to San Diego for Alix’s concert. …snip…after the concert we go to Las Hermanas, the women’s coffeehouse; we are impressed by the décor; mural of women, big wooden bookcases and pillows on the floor. It is very friendly and casual…

 

May 10, Saturday

Train back to LA…rest up for Alix’s concert. Janet comes back from here sister’s and we all get dressed up.

 

The concert is at Metropolitan Church, a Gay church in downtown LA. It looks like a converted movie palace, with red plush all over the seats and stage. The walls are gold speckled stucco. The concert, produced by Marion for Macaroon Productions, is fabulous. The sound engineered by Margot McFedries is rich and clear. Everyone is dressed to the teeth, and six women have had their hair cropped short since The Exploration. Alix gives a wonderful  performance and many women say they are thrilled to hear such overt Lesbian music

 

After the concert there is a party upstairs with dancing and punch. Alix leaves with Meg Christian, Margie Adam, Cris Williamson and Ginny Berson. They go back to Olivia records house to play music. Janet, Liza, Penny, Nancy and Alice go home.

 

May 11, Sunday

…Liza, Alix and Penny are flying to San Francisco…snip…On the airplane the stewardesses are wearing orange hotpants and high heels. We ask them if they wouldn’t be more comfortable in pants? They say no and seem offended.

 

At the San Francisco airport we are met by Ellen Broidy and Ilsa Perse, who, along with Natalie Landou, are producing all of Alix’s Bay Area performances….snip…They tell us about the controversy at the Full Moon, a woman’s coffee house where a large part of the collective have quit for political reasons, and a debate is raging. Alix has two dates to perform there. We go out to dinner  and then to the Baccanaal, a women’s bar in Berkeley, where Alix is playing. The show is great and we have a good time. The sound, by Joan Bobkoff, is excellent, and the women are tough looking and gorgeous.

 

….at noon we go to KPFA to be interviewed by Karen. Meet Ellen, then we go to ICI A Woman’s  Place Bookstore, and see an old school chum of Liza and Penny’s who is working at the bookstore and is a Lesbian.

We visit the Women’s Press Collective which shares space with the bookstore, and we talk to Wendy Cadden and Judy Grahan. Wendy explains how she is learning color separation and shows us a project, a cover for a 45 record. ..snip…in the evening Liza shows her slide, “What The Well Dressed Dyke Will Wear” at The Women’s Skills Center.

 

Wendy Cadden at the press. Photo by Willyce Kim

 

 

May 13^th, Tuesday

….we go to The Full Moon where Alix is playing. The Free Box Collective (the women who quit The Full Moon) is handing out copies of its statement. We stop to talk with them. Inside, The Full Moon is packed with Bay Area women, but we hear many women won’t come because of the controversy We like The Full Moon, and we think it is attractive.

 

May 15^th, Thursday

In the morning Laurie from Seattle interviews us for the Lesbian Feminist Radio Collective.  Afterward we drive to Oakland where Penny buys a pair of Red Wing hiking boots. Then out to a house in the Berekely Hills where we meet Syreeta and Linda. We have a wonderful fresh salmon for dinner. We are late so we have a mad drive through the hills of Berkely, Penny and Liza in Syreeta’s 1959 Mercedes Benz; Alix, Ellen, Ilsa and Linda following in Ilsa’s car. Alix sings at Bishops, a people’s coffee house in Oakland given over to women for the evening. Joan Bobkoff engineered the sound, as she had for all the performances.

Red Wing Boot, drawing by LIza Cowan 1975

May, 16^th, Friday

We fly home to New York. Janet meets us at the airport with flowers.