Four years ago I found the artist TMNK, The Me Nobody Knows. I was searching for art about Obama, because I believed in him passionately, and wanted to spread the word about him through art. I was running an art gallery at the time. I found "Nobody" on a google search for Obama art. Thus began a wonderful relationship.
TMNK, The Me Nobody Knows. Guess Who's Coming To Dinner. 2008. Used by permission of the artist.
Once again, I passionately support Obama for his second term as President. So here is a small re-visit of some of TMNK's Obama paintings.
TMNK, The Me Nobody Knows. The Blacker The Berry. 2008
TMNK. The Me Nobody Knows. Innaugural Obama. 2009.
In 2010, TMNK presented his work at my gallery during Art Hop, which is New England's largest art fair. Close to a thousand people saw his work during Art Hop, and over the next month. "Nobody" came to spend the weekend with me during the Art Hop, and to meet what turned out to be an adoring public.
TMNK, The Me Nobody Knows, hanging his show at Pine Street Art Works.
This weekend (September 7, 8, and 9) is Art Hop in Burlington, Vermont. I no longer run a gallery. And Obama is running again. "Nobody" is doing phenomenally well in his career. Visit his website HERE, The painting "Guess Who's Coming To Dinner" hangs in my living room.
Broadway and musical theatre performers Sean Smith, David Burnham, Kim Huber, Christina Saffran Ashford, Damon Kirsche, David Engel, Jennifer Shelton, Emma Ashford, Matthew Ashford, Ali B. Olmo, Johnny Pastor, Bubba Dean Rambo, William Martinez, Flora Rubenhold, Takako Gregg, Teri Yates, Mason Keane, and Paula Keane sing from their heart with the lyrics of Don DeMesquita, in a parody of One Day More from "Les Miserables". For more info and facts, go to www.OneTermMore.com
My favorite phrase: "To the Dark Side they've succumbed" meaning, of course, the Romney Ryan team.
VOTE. It still means the World. Obama 2012. CowanDesign
"The right to vote and be voted for is the first of rights," says the National Race Congress. "It is the vital principal of self-government and individual liberty. The ballot marks the difference between the citizen and the serf. Without the ballot the Colored American is powerless to contend for right and justice and civil equality; with the ballot he is all powerful to act in defense of every lawful privilege" September 20, 1919, The Union Newspaper.
My daughter and I enjoyed ourselves thoroughly at the Pug Fest at Alice Austen House Museum last weekend. Not only are we pug fans (and owners) but we are fans of Alice's life work as a pioneering 19th Century photographer. See more about Alice on this blog here and the Alice Austen House Museum website here.
At the Alice Austen House Museum, Pug Day. What a beautiful day to be at Clear Comfort, Alice's Staten Island, NY, house on the water. Here, my daughter and I recreate Alice's self portrait with her pug, Punch. I bet Alice would have loved to be able to wear jeans and boots, and keep her hair short. Imagine lugging hundreds of pounds of camera equipment around wearing a corset and floor length dress. Kudos to Alice for managing so beautifully.
Alice Austen and Punch, self portrait. Willa and Saki by Liza Cowan
Today my friend Penny sent me this picture of the finished billboard. It's for Barneys New York.
And here's the inspiration for the billboard:
screen capture from wallpaper.com
"Helmut Lang's cast-resin replica of five front-row seats from his final fashion collection are installed in a concrete room in the window of Barneys, replicating the artist's own basement, where the piece has been stored. Flat-panel plaques on the floor display the fashion items the artist selected as highlights of 2009"
When I started following the sisters it was because I loved the flow of their saris and the way they walked so closely together. When they entered the bank I had to laugh. I'm sure that the Missionaries of Charity have bank business, but for a brief moment I had a vision of them robbing the joint. You know - to give to the poor.
Artist, William Tasker. Federal Art Project, Silkscreen, circa 1941/3. Source
I found this image on Pinterest. It's one of the things I enjoy about Pinterest - finding great images, even if people don't source them well, grrr.
This one caught my eye not just for the great graphic but because the message seems so awkward now. It was made to remind/convince people to conserve water for the war effort. That's the "guns." Government wartime propaganda.
But as a viewer in 2012 I read it as, No Water, No Guns....don't waste it. That is, there is no water and no guns....therefor don't waste these recources. Which brings to mind some dystopic sci fi movie, or contemporary news and activism about water as a resource. Big topic. Water. Resource. Or did it mean, War over Water...another dystopic story -in- the making.
It only took me a minute to remember to adjust my time frame to World War 2 to realize that the idea of conserving water for the wartime/militarizaion effort would be common enough that the poster made sense immediately.
It's also possibly true that it's just not that well written enough to telegraph it's meaning. I can't tell from here.
Speaking of Pinterest (I was, actually) I came across this blog post about the history of scrapbooking. I urge you to read the whole thing, but here's a snippet:
"May 5 is National Scrapbooking Day. Like National Fig Newton Day or National Golf Month, its purpose is mainly commercial and it was unsurprisingly started by an album company. Scrapbook making is hugely popular and profitable. Stores that sell scrapbooking supplies use the day to sponsor scrapping gatherings or crops where scrapbookers (nearly all women) get together. They spread their projects out at tables with equipment for diecutting, embossing, and distressing paper (to make it look old). Tips about layout and technique are shared as they paste family pictures and memorabilia into their scrapbooks.
The men and women who compiled scrapbooks in the nineteenth century had a different idea of what a scrapbook looked like and what it was for. Abraham Lincoln, Sarah Bernhardt, Thomas Jefferson, and Susan B. Anthony all made scrapbooks. Like the thousands of other nineteenth-century scrapbook makers, they created scrapbooks from their reading, mainly for their own and their contemporaries’ uses. Their records — without family photos — are intimate and revealing. These scrapbook makers saw their interests reflected in the newspaper. Worried about losing the poems, articles, and stories that spoke to them, they made scrapbooks of them — sometimes hundreds of volumes."
1878 Agricultural Reports repurposed as a scrapbook. Page toward the end shows underlying text. Source: collection of Ellen Gruber Garvey
I talk to a fair number of people about Pinterest. Some adore it but many scratch their heads and think it's a ridiculous waste of time. Why would you bother, they wonder. Well, I'm a collector and a curator. I love images. I love looking at them, and I love putting them in my own little categories. Is it brain science? No. Will it save the world? No, of course not. Is it satisfying and inspiring. Yes. 'Nuff said
My pinterest boards. Small Equals. Screen capture.
I've just rounded 400 followers. I pin under the name "small equals" because that's my business and twitter name. I love what I pin...and I love the folks I follow. You can check out my pins HERE
One of the greats, Maurice Sendak, is now in heaven, or somewhere like it. Probably Brooklyn.
A Hole Is To Dig was my introduction to Sendak. I was very small. It had just been published. Yes, I've loved Sendak all my life. I met him once on an airplane. Thrill.
Ruth Krauss/ Maurice Sendak. A Hole Is To Dig. 1952. found here
Maurice Sendak collaborated with Carole King to produce one of the greatest soundtracks of all time..in my opinion. The Nutshell Kids present Really Rosie. It was the soundtrack of my oldest daughter's early years, in the 1970's. Good times. I can still sing it word for word.
Just a few months before she died, Alice Austen made her second appearance in LIFE Magazine.
Alice Austen Day. Life Magazine, October 29, 1951
"Alice Austen, America's first great woman photographer, had been rescued from the poorhouse and oblivion by the sale of her superb collections of pictures (LIFE, Sept. 24). But until this month the 85-year-old artist had never had a public showing of her work. On Oct. 7, however, the Staten Island Historical Society, custodian of her photographs, celebrated "Alice Austen Day". More than 300 of Miss Austen's old and new friends crowded into the museum to look at her pictures and say hello to her once more. Miss Austen herself was an hour late. Worn out by a television appearance two days earlier, she at first refused to come. But her friends convinced her that she would enjoy herself, and enjoy herself she did. There were speeches and orchids and gifts and refreshments, but above all, there were friends. Some, like Mrs. Charles Barton had posed for her in the old days on Staten Island. Others, like Coapes Brinley of the Staten Island Historical Society, helped win recognition for her work. Miss Gertrude Tate, her closest friend, had lived with her for 27 years at the Austen home until the two ladies lost their money and the home was sold.
The old lady in the wheelchair knew how to get the most out of every moment, although she mostly wept when Mrs. Barton bent over to kiss her hand. As the newspaper and magazine cameras recorded the afternoon, Photographer Alice Austen said proudly, "I'd be taking those pictures myself if I were 100 years younger." When the pictures and the refreshments were over, she went back to the private nursing home where she now lives, a little tired by the festivities but glad that she had lived to see Alice Austen Day."
Alice and Trude, now Mrs. Charles Barton, donned corset covers and petticoats and posed for this wicked picture taken 60 years ago on Staten Island. Alice Austen, LIFE Magazine 1951
Deeply Moved, Alice Austen bites her lips as old friend Mrs. Barton impulsively kisses her hand. Mrs. Barton now lives in New Jersey but visits Alice often.
HIGHLY PLEASED, Alice Austen beams up at Gertrude Tate, who lived in Austen home, took trips to Europe with her, nursed her during arthritis attacks.
For more on Alice Austen see HERE and also visit the Alice Austen House Museum Website
Alice Austen fans...great news. The Alice Austen House has a beautiful new website and Facebook page, and is proud to be one of the only museums in the US devoted to a Lesbian. Yes, that's right. They are proud of it. As they should be. Here's an interview with Alice Austen House directors Carl Rutberg and Ann Marie MacDonald on New York City TV show, City Talk.
You will note that they talk about Alice as a Lesbian, which is great, yay, and that they discuss the first time Alice was "outed" at the 1996 NY Public Library Stonewall Aniversary Exhibit. Now, we know this is not true, because DYKE magazine ran an article about Alica as a Lesbian in 1976. However, they filmed this interview before I posted the Alice article here at SeeSaw and at the DYKE A Quarterly Annotated Online Archive...so we forgive them for not knowing, right? Right. Because Dr. Rutberg got in touch with us immediately, and we have been emailing ever since. He now knows that we had the scoop on Alice. And as he said in a Facebook comment to me, "We want to make sure the LGBTQ community rallies around Alice"
And we will.
So go to the website and Facebook page, and if there's still time, you can vote HERE for the Alice Austen House to get a $100,000 grant from American Express.
I have to see the movie, The Tribe. Tiffiny Shane, director, producer and Co-Writer. Ken Goldberg, Co Writer. Gil Gershoni , art director.
Here's what the filmmakers say:
"What can the most successful doll on the planet show us about being Jewish today? Narrated by Peter Coyote, the film mixes old school narration with a new school visual style. The Tribe weaves together archival footage, graphics, animation, Barbie dioramas, and slam poetry to take audiences on an electric ride through the complex history of both the Barbie doll and the Jewish people- from Biblical times to present day. By tracing Barbie's history, the film sheds light on the questions: What does it mean to be an American Jew today? What does it mean to be a member of any tribe in the 21st Century?"
Here's a reprint of an article written decades ago in DYKE A Quarterly, a magazine of history and social commentary. I published with Penny House from 1976-1979. Copies of the magazines are now housed in the library at the Museum Of Modern Art in New York City, and also at The Schleisinger Library at Radcliffe College, which also has the collection of all the ephemera and collateral materials for the magazine that we kept over the years.
I know that you, my regular SeeSaw readers, will be particularly interested in this article about 19th Century pioneer photographer, Alice Austen. originally published in 1976.
DYKE, A Quarterly. No 3. p 34. 1976. Alice Austen
By Penny House and Liza Cowan, written & published in 1976
Alice Austen was a Lesbian born on Staten Island, NY in 1866. She started taking photographs at the age of twelve and continued until the nineteen thirties. She was an enthusiastic athlete, excelling in swimming, cycling, boating, golf and tennis in an age when women were just being allowed to do any sports at all. She was an excellent mechanic who with her lover, Gertrude Tate, and other friends, took long car journeys in a time when there were almost no paved roads.
Alice Austen and her dog Punch. Alice leaving for the Chicago Exposition of 1893. Alice is holding the concealed bulb of the remote shutter release. DYKE A Quarterly No. 3 p 37
She thoroughly documented her own life and that of her friends, where were well-to-do young women, both Lesbian and straight, and who were straining against the last remnants of Victorian morality. She photographed extensively the immigrants and street life of the lower east side of New York City. The style of her photographs was unusually realistic for her time.
Alice Austen Photo. Violet Ward and her lover. DYKE A Quarterly, no. 3 p 36
In 1929 she lost all her money. She and Gertrude supported themselves by selling their furniture, renting rooms in their home, running a tea room, and by the income from Gertrude's dance classes, which she taught until she was in her late seventies. They were finally forced to leave their home on Staten Island in the nineteen forties. They moved into a small apartment, but soon were forced to separate. Alice, 83 years old, suffered from severe arthritis and Gertrude had a difficult time caring for her. Gertrude's younger straight sister, who had long tried to separate the two, took advantage of Alice's ill health and the morality of the time which dictated a two bedroom apartment which they could not afford. Gertrude went to live with her sister and Alice to a nursing home. Gertrude visited regularly, bu they were both very lonely. Alice was kicked out of several different nursing homes for her too independent nature, and at 84 was admitted to the hospital ward of the Staten Island poorhouse.
Her plate glass negatives had been sold to the Staten Island Historical Society, and in 1951 were "discovered" by a photographic historian. He sold some of the photographs to magazines and turned the money over to Gertrude, who moved Alice to a pleasanter home Alice began to be recognized for her life long work as a photographer. A year later, in June of 1952, she died, sitting in her wheelchair in the sun. Gertrude lived on for ten years, and when she died her sister was unable to bury her next to Alice, as they had wished.
Violet Ward and Daisy Eliot. Photo by Alice Austen. Violet was a childhood friend of Alice's. Daisy Eliot was a professional gymnast. Violet, an enthusiastic cyclist, invented a mechanism for bicycles that was universally adopted. Alice took the photographs for Violet's book, Bicycling for Ladies, published in 1896. Daisy was the model.
Bessie Strong's Bedroom. Bessie was a friend of Alice's. One of the special aspects of Alice's work is that she was interested in documenting the the intimate details of young women's lives, where few other photographers were willing or able to do so. Note Alice's photographs tacked up on the walls. DYKE A Quarterly No 3, 1976
Of the estimated seven to eight thousand glass plate negatives that Alice took, approximately one half are known to survive. Alice was a stickler for detail, often making her friends pose for hours and hours until she could get the exact expression, setting and light she wanted. She carefully marked the envelope for each glass plate with the time, date, place, exposure and lens type.
Alice Austen, Newsgirl on NYC's Lower East Side. DYKE A Quarterly No 3, 1976
Alice carried nearly fifty pounds of photographic equipment on her journeys. She always liked to have at least two cameras with her, as each camera could take only one size print. No enlargements were possible in those days.
"Alice luckily was a tall and strong woman, perfectly capable of carrying her own heavy camera, tripod, and box of plates...She spent hours on end in her closet -like darkroom, developing plates and 'toning' and 'fixing' her prints...Because there was no running water in the house when she was young, she carried [the plates] all downstairs and out into the garden to be rinsed in a basin under the hand operated pump, winter and summer. sometimes she changed the rinse water twenty five times, she recalled. Gertrude Tate attributed Alice's photographic success to a combination of artistic sense, the tirelessness of an athlete, and sheer stubbornness of will."
Gertrude Tate, Alice's lover, circa 1900. DYKE A Quarterly No. 3, 1976
"The originality of Alice Austen's work becomes strikingly clear when it is compared to that of other photographers of the late nineteenth and early twentieth centuries. Women photographers in particular succumbed to the fashion of making photographs to illustrate romantic tales of childhood, and of colonial village life or popular works such as The Rubiayat of Omar Kayyam... Daily American life, if pictured at all, was sentimentalized beyond recognition. The children picked posies of wild flowers in sublime landscapes while their mothers struck classical poses in diaphanous flowing garments of some eclectic style...most photographers of her period did [their] best to prove that photography was a form of art by trying to disguise the fact that [their] pictures were made by mechanical means -the precise fact that Alice enjoyed about photography. Alice's work was out of tune with the fashionable dictates of her time.
Gertrude, circa 1920. DYKE A Quarterly, No 3, 1976
"Alice Austen...photographed people and places as they actually appeared, focusing her lens so sharply that every small detail of leaf or woodwork, facial expression or lettering on a sign, was recorded. She approached her subjects straightforwardly, without any attempt at the refinement, grace and decorative sense encouraged in the photographic journals of her most productive years...Pictorialists may have portrayed nymph-like young women floating apparently weightless in unruffled ponds and dancing on tiptoe effortlessly through flower filled fields: Alice Austen recorded her friends in the flannel skirts and woolen stockings of clumsy bathing suits calculated to impede the movements of the strongest swimmers, and she showed them doing their daily gymnastic exercises to develop the strength their daily lives required. Alice Austen's women ride bicycles and horses, work in the streets and market places and are a vigorous and real as Alice herself."
Alice and Gertrude. DYKE A Quarterly No. 3. 1976
Thanks to Ann Novotny for help, information and photographs. All quotations are from Ann's book, Alice's World - The Life and Photographs of An American Original: Alice Austen 1866-1952, which will be published this fall by Chatham press. Quotations printed with permission of the author.
Cover photo. Alice and her friends, Trudy, Julia and Sue formed a cooking and sewing club. "The four girls spent so much time in each others company that disgruntled young men referred to 'the darned club,' a name the members delightedly adopted." Alice is on the left, once again holding the remote control shutter release.
Ann is chairwoman of The Friends Of Alice Austen, who are trying to restore Alice's house and turn it into a museum of her life and work. They plan to have rotating exhibits of women photographers. Anyone who is interested or would like to help should write to Friends of Alice Austen, 315 W. 78 Street, New York, Ny 10024 #1,
Photographs courtesy of the Staten Island Historical Society.
See more about creating the cover for issue No.3. using Alice's photo That Darned Club, here
DYKE A Quarterly, No. 3. Photo That Darned Club by Alice Austen. Design Liza Cowan
The Alice Austen House did come to pass. It is a National Historic Landmark on Staten Island. Ann Novotny died of breast cancer shortly after we wrote our story, but her work and passion lives on. Read about the Alice Austen House HERE.
For more on women and photography at the turn of the last century try this wonderful blog, Kodak Girl. Kodak invested heavily in marketing their cameras to women, quite successfully.
Bicycling for Ladies. ME Ward. Maria Ward aka Violet. See more HERE
How To Coast. Illustration from Alice Austen photo in Bicycling for Ladies by ME Ward.
Frances Benjamin Johnston, American photojournalist, took this self portrait with a bicycle. Johnston wrote What A Woman Can Do with a Camera for the Ladies Home Journal in 1897, a year after Bicyling For Ladies was published. Notice the painted on moustache.
Did you know that Heinz used to make peanut butter? I didn't until I ran across this series of ads in The Saturday Evening Post from 1925. I bought a stack of the old magazines years ago and made copies of the ads. I've reproduced them, full size, and had Silver Maple Editions in Burlington fine-art laminate them on high density wood. You can buy them at my online store.
Heinz Peanut butter. 1925. Ready to hang.
Heinz Peanut Butter, ad, Saturday Evening Post, detail
Heinz Baked Beans, 1925 ad. Saturday Evening Post
detail, heinz baked beans
Heinz Cider Vinegar, 1925 Saturday Evening Post.
detail, Heinz Cider Vinegar.
These are all available in very limited quantities at the Small Equals online store.HERE
Small Equals online shop at BigCartel. Screenshot.
After I closed Pine Street Art Works, my bricks and mortar store, I had to figure out how to keep selling, but online. I was developing a line of products - wooden Keepsake Boxes - that I was excited about, and wanted to offer on the web. I did my research and decided on BigCartel as my platform. I considered Etsy because I know a lot of crafters and antiques vendors who are happy with it, but I thought about the tradeoff - possibly more visitors via the well known site vs. the ability to jump around once the shopper is inside the site. I decided I'd rather have a captive audience. And on BigCartel I can sell products made by other people or manufacuturers, like Seed Bombs by VisuaLingual, or Canetti Pure Acrylic Magnet Frames, two of my most popular items.
Small Equals at BigCartel. Screenshot, product page for Sew To The Moon
When I first started selling on BigCartel the design options were more limited than I would have liked. I don't know how to code but I have high standards. But that changed recently when BigCartel offered new design options for the coding-challanged.
Small Equals online shop at BigCartel. Screenshot, Large image of Dogs Rule Keepsake Box.
To have a beautiful storefront you have to start with a good, or at least a good looking, product, good pictures and a strong enough design sense. But that's a given. All of that takes a lot of work, and a skill set that takes time to develop. Once you have that, and have found your online platform, there's still the work of marketing. But it makes all the difference to have a good platform, and I have to say I'm hugely pleased with the folks at BigCartel.
I'm very happy that I can write as much text as I like about a product. Regular readers of this blog know that backstory and provenance mean the world to me, and I get to tell it on each product page. I've even included a video on some pages, of me showing the box.
There's even an option for pages, including a page for your blog. I love this feature because the more a customer knows about the folks who make a product, the more personal it becomes. Story sells. And as a customer, I like to know who I am buying from.
Screen shot, Small Equals online store at BigCartel. Showing page for this blog.
The support staff at BigCartel is superb and that counts for a lot. Quick, friendly advice and help? I'm hooked.
BigCartel even has an app that connects to my my small equals Facebook Page, for seamless shopping online.
BigCartel app on small equals FaceBook page. Screenshot
My ancestors peddled door to door and then opened up one of the worlds' first catalog companies. It makes me proud to continue in the family tradition...but in a 21st century venue.