ARTIST: Tim Matson

Saying goodbye to Pine Street Art Works

Next week Pine Street Art Works will be closing. After five years. I will be opening another small shop, with a much tighter focus, so I'm excited about that. But meanwhile here's a small photo review of most of the shows I've curated since 2005.

Kids in the window '05

My kids used to like to sit in the window and pretend to be mannequins. Liza Cowan Photo 2005


Klein:fake window

same window without kids. David Klein, Beanie For Peace. Liza Cowan photo 2005


Klein fake show

David Klein, Beanie For Peace. Liza Cowan, FAKE! photo by Liza Cowan 2005


Psaw card flash+hunter
postcards for Flashbags and Charlie Hunter Show. 2006


Keith wagner pods in window
Keith Wagner, pods, in show window. Hunter/Wagner show 2006. Photo by Liza Cowan


Hunter:wagner show
paintings by Charlie Hunter, sculpture by Keith Wagner. 2006. Photo by Liza Cowan


Psaw card cara+putnam
Show postcards for Cara Barer and David Putnam. Liza Cowan design. 2006


Cara barer show
Cara Barer show. 2006. Photo by Liza Cowan


Barer butterfly with pucci mannequin
Cara Barer, Butterfly. Mannequin by Ralph Pucci. Photo by Liza Cowan circa 2009.


David putnam show
David Putnam show. Photo Liza Cowan. 2006


Bread and puppet at psaw
Bread and Puppet Theater, benefit performance at PSAW, photo Liza Cowan 2006.


Psaw card artifact+goodman
Show card for Artifact, Liza Cowan design. Show card for SP Goodman, SP Goodman design. 2006

Window sp goodman
Show window for SP Goodman. 2006


Psaw card paper play double
Show cards for Paper Play, Alison Bechdel and Phranc The Cardboard Cobbler. Liza Cowan design 2006

Psaw card myra+steig
20th Century Works on Paper Show, and general use postcard. William Steig poster 1944. Ralph Pucci/Maira Kalman mannequin. Card design by Liza Cowan.

Psaw card denis+anderson
Show cards, John Anderson, Denis Versweyveld. Liza Cowan design 2007.

John anderson prepping show
John Anderson setting up his show. Liza Cowan photo 2007.


Versweyveld in green room
Denis Versweyveld show in Olive Room. Photo by Liza Cowan 2007


Paint by number card
Paint by Number Show. Paint by number painting,  image based on Norman Rockwell painting. Design by Liza Cowan 2007

Pbn show
Paint by Number Show. Mark, the postal carrier, enjoys the work. Liza Cowan photo 2007.

Psaw card nakki+connie
Show cards for Nakki Goranin's American Photobooth and Connie Imboden. Design by Liza Cowan, 2007 and 2008.


Sow postcard orange front
showcard Amadou Sow. Design Liza Cowan 2007

Painting by Mr. Masterpiece. Show 2008


Gombar postcard

Show card Richard Gombar. Design Liza Cowan 2008



Heinrich Harrer photographs, Seven Years In Tibet. Curated by Leslie DiRusso. Card design Liza Cowan. 2008


Studio glow in window
Studio Glow lamps and sculpture in the show window. Photo Liza Cowan 2008


Tim Matson. Pilobolous photographs show. 2009


Bloom postcard front
showcard for Bloom show. Liza Cowan design. 2009

Show Card David Powell. David Powell design 2009


Aline postcard

Showcard Aline Smithson. Liza Cowan design 2009.


Aline Smithson photos at Pine Street Art Works. Photo Liza Cowan 2009


TMNK postcard front
Showcard TMNK- The Me Nobody Knows, design Liza Cowan 2009


TMNK hanging his show. Liza Cowan photo 2009


Holiday 09 window
Winter Holiday show window. Liza Cowan photo 2009

Showcard Carol Golemboski. Design Liza Cowan 2010


Front showroom, Carol Golemboski Show. Photo Liza Cowan 2010


OK, well that's the brief tour.

I'm moving, reinventing, reincarnating, all of those things. Opening Sept 10th at S.P.A.C.E Gallery 266 Pine Street in Burlington.

As soon as I'm settled, Seesaw will continue as usual.









Some of these artists I've already posted about, some not. I'm so excited about the lineup of shows at PSAW. Even though times are tough, and businesses are tumbling like dominoes in an earthquake, we here at Pine Street Art Works (and Atelier Tove) are determined to keep going and thriving.


Tim Matson photo of Pilobolus. Dance called Untitled.copyright 1978. Used by permission of the artist.

The dance troupe Pilobolous began in 1970 at Dartmouth College. Tim Matson began photographing them early in their career, and, in conjunction with a Pilobolus April 11th performance at Burlington's Flynn Theater, PSAW will exhibit a dozen or so of Matson's original prints. Matson's book of Photographs, Pilobolus, was published by Random House in1978 and is still available through used book dealers.


Plattsburgh NY/ Burlington VT artist/educator David Powell will show his collages and prints at a date to be announced. I've been a fan of David's for a few years. He had a show last year at Burlington's Fleming Museum which was super.


Into the Future. David Powell. Copyright 2000. Digital print mounted on Wood Panel. Used by permission


Aline has been winning awards and grants left and right, and I'm happy to say I knew her when. She will be exhibiting here in August.


Aline Smithson. Arrangement in Green and Black. Portrait Of The Photographer's Mother. Copyright Aline Smithson. Used by Permission


I've blogged a lot about TMNK, but here's another image and a reminder that this amazing NYC street artist will be here on Sept 11th for the Burlington South End Art Hop. 


TMNK-The Me Nobody Knows. Copyright 2009. Used by Permission.



How To Read The Hand. Copyright Carol Golomboski. Used by Permission

"Psychometry is a series of black and white photographs exploring issues relating to anxiety, loss, and existential doubt. The term refers to the pseudo-science of "object reading," the purported psychic ability to divine the history of objects through physical contact. Like amateur psychometrists, viewers are invited to interpret arrangements of tarnished and weathered objects, relying on the talismanic powers inherent in the vestiges of human presence. These images suggest a world in which ordinary belongings transcend their material nature to evoke the elusive presence of the past. 


Copyright Carol Golomboski. Used by Permission

Through an examination of fortune-telling and clairvoyance, many of the images confront the desperate human desire to know the unknowable, historically referencing the Victorian interest in spiritualism as well as the look of the nineteenth century photographic image. Illegible text and arcane symbols in pictures with themes like palm reading, tea leaf reading, and numerology force the viewer to consider man's insatiable need to anticipate his own fate.

The concept behind each picture dictates its darkroom manipulation, sometimes requiring research and revisions that last weeks or months. Combining photography with drawing, seamlessly incorporating photograms, integrating appropriated text, and scratching the emulsion of the negative create images where horror, history, and psychology occupy the same imaginative locale." Carol Golomboski from Photo Eye Gallery