See Saw

Saying goodbye to Pine Street Art Works

Next week Pine Street Art Works will be closing. After five years. I will be opening another small shop, with a much tighter focus, so I'm excited about that. But meanwhile here's a small photo review of most of the shows I've curated since 2005.

My kids used to like to sit in the window and pretend to be mannequins. Liza Cowan Photo 2005

 

same window without kids. David Klein, Beanie For Peace. Liza Cowan photo 2005

 

David Klein, Beanie For Peace. Liza Cowan, FAKE! photo by Liza Cowan 2005

 

postcards for Flashbags and Charlie Hunter Show. 2006

 

Keith Wagner, pods, in show window. Hunter/Wagner show 2006. Photo by Liza Cowan

 

paintings by Charlie Hunter, sculpture by Keith Wagner. 2006. Photo by Liza Cowan

 

Show postcards for Cara Barer and David Putnam. Liza Cowan design. 2006

 

Cara Barer show. 2006. Photo by Liza Cowan

 

Cara Barer, Butterfly. Mannequin by Ralph Pucci. Photo by Liza Cowan circa 2009.

 

David Putnam show. Photo Liza Cowan. 2006

 

Bread and Puppet Theater, benefit performance at PSAW, photo Liza Cowan 2006.

 

Show card for Artifact, Liza Cowan design. Show card for SP Goodman, SP Goodman design. 2006

Show window for SP Goodman. 2006

 

Show cards for Paper Play, Alison Bechdel and Phranc The Cardboard Cobbler. Liza Cowan design 2006

20th Century Works on Paper Show, and general use postcard. William Steig poster 1944. Ralph Pucci/Maira Kalman mannequin. Card design by Liza Cowan.

Show cards, John Anderson, Denis Versweyveld. Liza Cowan design 2007.

John Anderson setting up his show. Liza Cowan photo 2007.

 

Denis Versweyveld show in Olive Room. Photo by Liza Cowan 2007

 

Paint by Number Show. Paint by number painting,  image based on Norman Rockwell painting. Design by Liza Cowan 2007

Paint by Number Show. Mark, the postal carrier, enjoys the work. Liza Cowan photo 2007.

Show cards for Nakki Goranin's American Photobooth and Connie Imboden. Design by Liza Cowan, 2007 and 2008.

 

showcard Amadou Sow. Design Liza Cowan 2007

Painting by Mr. Masterpiece. Show 2008

 

Show card Richard Gombar. Design Liza Cowan 2008

 

Heinrich Harrer photographs, Seven Years In Tibet. Curated by Leslie DiRusso. Card design Liza Cowan. 2008

 

Studio Glow lamps and sculpture in the show window. Photo Liza Cowan 2008

 

Tim Matson. Pilobolous photographs show. 2009

 

showcard for Bloom show. Liza Cowan design. 2009

Show Card David Powell. David Powell design 2009

 

Showcard Aline Smithson. Liza Cowan design 2009.

Aline Smithson photos at Pine Street Art Works. Photo Liza Cowan 2009

 

Showcard TMNK- The Me Nobody Knows, design Liza Cowan 2009

 

TMNK hanging his show. Liza Cowan photo 2009

 

Winter Holiday show window. Liza Cowan photo 2009

Showcard Carol Golemboski. Design Liza Cowan 2010

 

Front showroom, Carol Golemboski Show. Photo Liza Cowan 2010

 

OK, well that's the brief tour.

I'm moving, reinventing, reincarnating, all of those things. Opening Sept 10th at S.P.A.C.E Gallery 266 Pine Street in Burlington.

As soon as I'm settled, Seesaw will continue as usual.

 

 

 

 

 

 

 

HOW TO READ OBJECTS: PSYCHOMETRY

Pine Street Art Works, Main Gallery, Carol Golemboski Show, April 2010

If you want to give a shot at reading the things at Pine Street Art Works, I'll give you a hint: Spring Cleaning. Yes, after a long winter here in Burlington, with the gallery set up as a wonderfully crowded and fun store, I decided to go simple for Spring. Intern Par Excellence, Daniel Weinberg, and I spent a couple of days moving furniture and products, art and artifact. Grueling, but worth it. So welcome to Spring on Pine Street in Burlington Vermont's Arts District. Why the interest in reading objects? Carol Golemboski's amazing show here at the Gallery: Psychometry (the ability to divine the history of objects through physical contact.)

Carol Golemboski, If Wishes Were Horses, toned silver gelatin print

 

Carol Golemboski, Object Lesson. Toned  silver gelatin print.

Next big project: The street garden. Charlotte Albers of Paintbox Garden Design is planning something special, and I'll keep you posted.

 

CAROL GOLEMBOSKI EXHIBIT AT PSAW

 
Psychometry, Carol Golemboski at Pine Street Art Works. Exhibition postcard

Can things tell stories about themselves? If so, what stories do they tell? Colorado photographer Carol Golemboski explores  this  question in a series called Psychometry which will be at Pine Street Art Works in April and Healthy Living Natural Foods in May.

The series of black and white photographs explores issues relating to anxiety, loss, and existential doubt. The term “psychometry” refers to the pseudo-science of object reading, the purported psychic ability to divine the history of objects through physical contact. Like amateur psychometrists, viewers are invited to interpret arrangements of tarnished and weathered objects, relying on the talismanic powers inherent in the vestiges of human presence. These images suggest a world in which ordinary belongings transcend their material nature to evoke the elusive presence of the past.

 
Carol Golemboski, exhibition postcard, Pine Street Art Works 2010

Golemboski is an assistant professor of photography at the University Of Colorado at Denver. Images from her Psychometry series have been published in notable photographic journals and magazines such as LensWork, Contact Sheet, Photo News, and AfterImage. Golemboski   has been awarded numerous grants including individual artist fellowships from Center in Santa Fe New Mexico, the New York Foundation for the Arts, the Virginia Commission for the Arts, and Light Work. 

Describing her artistic process, Golemboski says:

“I infuse my images with tension and mystery by combining photography with drawing, scratching the negative, and incorporating text and photograms.  The objects I photograph, discovered in flea markets, auctions, estate sales, and antique shops, have their own unknowable histories.  They range from ordinary items, such as doll houses, bird cages, and Christmas ornaments, to symbolically charged objects that relate to the human figure, such as dress forms, leg braces, and wigs.  Once photographed, they form a visual language that hints at the lives that once surrounded them.  Ironically, these metaphorical arrangements only reinforce the idea that the secrets of the past are forever lost.

 
Carol Golemboski, Cheiromancy

“The success of these images relies upon the viewer's expectation of truth in the photograph, expanding upon age-old darkroom "trickery" to suspend belief between fact and fiction.  The romantic ideas suggested by these photographs are enhanced by the nostalgia that accompanies historic photographic imagery, the process of traditional printmaking, and the magic of the darkroom.  

“Pervading the work is a sense of melancholy for the past, and a mounting dread that comes with the realization that our own stories will suffer the same fate.  These images are designed to create a tension between beauty and decay that expresses anxiety over the passage of time, the inevitability of death, and a fascination with the unknown.”   

 Opening reception at Pine Street Art Works Friday April 2, between 5-8. Sad to say, the artist will not be in attendance. But a good time will be had by all.

STAY TUNED FOR THESE GREAT NEW EXHIBITS AT PINE STREET ART WORKS

Some of these artists I've already posted about, some not. I'm so excited about the lineup of shows at PSAW. Even though times are tough, and businesses are tumbling like dominoes in an earthquake, we here at Pine Street Art Works (and Atelier Tove) are determined to keep going and thriving.

APRIL - TIM MATSON/ PILOBOLUS

Tim Matson photo of Pilobolus. Dance called Untitled.copyright 1978. Used by permission of the artist.

The dance troupe Pilobolous began in 1970 at Dartmouth College. Tim Matson began photographing them early in their career, and, in conjunction with a Pilobolus April 11th performance at Burlington's Flynn Theater, PSAW will exhibit a dozen or so of Matson's original prints. Matson's book of Photographs, Pilobolus, was published by Random House in1978 and is still available through used book dealers.

MAY OR JUNE - DAVID POWELL

Plattsburgh NY/ Burlington VT artist/educator David Powell will show his collages and prints at a date to be announced. I've been a fan of David's for a few years. He had a show last year at Burlington's Fleming Museum which was super.

Into the Future. David Powell. Copyright 2000. Digital print mounted on Wood Panel. Used by permission

AUGUST - ALIINE SMITHSON

Aline has been winning awards and grants left and right, and I'm happy to say I knew her when. She will be exhibiting here in August.

 

Aline Smithson. Arrangement in Green and Black. Portrait Of The Photographer's Mother. Copyright Aline Smithson. Used by Permission

SEPTEMBER - TMNK - THE ME NOBODY KNOWS

I've blogged a lot about TMNK, but here's another image and a reminder that this amazing NYC street artist will be here on Sept 11th for the Burlington South End Art Hop. 

  

TMNK-The Me Nobody Knows. Copyright 2009. Used by Permission.

APRIL 2010 -CAROL GOLEMBOSKI

 

How To Read The Hand. Copyright Carol Golomboski. Used by Permission

"Psychometry is a series of black and white photographs exploring issues relating to anxiety, loss, and existential doubt. The term refers to the pseudo-science of "object reading," the purported psychic ability to divine the history of objects through physical contact. Like amateur psychometrists, viewers are invited to interpret arrangements of tarnished and weathered objects, relying on the talismanic powers inherent in the vestiges of human presence. These images suggest a world in which ordinary belongings transcend their material nature to evoke the elusive presence of the past. 

Copyright Carol Golomboski. Used by Permission

Through an examination of fortune-telling and clairvoyance, many of the images confront the desperate human desire to know the unknowable, historically referencing the Victorian interest in spiritualism as well as the look of the nineteenth century photographic image. Illegible text and arcane symbols in pictures with themes like palm reading, tea leaf reading, and numerology force the viewer to consider man's insatiable need to anticipate his own fate.

The concept behind each picture dictates its darkroom manipulation, sometimes requiring research and revisions that last weeks or months. Combining photography with drawing, seamlessly incorporating photograms, integrating appropriated text, and scratching the emulsion of the negative create images where horror, history, and psychology occupy the same imaginative locale." Carol Golomboski from Photo Eye Gallery