The amusements of Atlantic City in the last post made me think of carousels. I have spent periods of my life obsessed with carousels. In my own childhood I rode the Stein & Goldstein horses at the carousel in Central Park in New York City. But more than that, we had our own carousel horse on our lawn in Redding Connecticut in the early 1950's. Nowadays, nobody in their right mind would leave a vintage wooden carousel horse outdoors, exposed to the elements and gaggles of rowdy children, but in those days the discarded horses were not particularly valuable or appreciated as works of folk art.
Liza Cowan, circa 1951, Redding, CT.
Photo by Mary Morris Steiner
My sister just sent me this. Sorry about the quality, it's a many times scan, but here is my mother, Polly Spiegel Cowan, with my sister Holly and brother Geoff on the carousel horse. I don't understand the seeming discrepency in the color of the mane, but I guess that between the time of the picture with my mom and sibs, and the one of me, the horse was painted. Ouch.
The horse sat on our lawn for years. The mind boggles. I rode this horse until my early teens, when we sold the house. And by "we" I mean my parents. Years outdoors exposed to the elements runied this fine piece of sculpture, and I regret that more than I can begin to express.
These horses are in the New York State Museum in Albany. Armitage/Hershell machine probably carved by Charles Dare in the 1890's.
Moving on from my heartbreak...
When my daughters were little, we were lucky to have a house in Greenport Long Island, where there is a beautifully restored Hershell Carousel right on the water's edge. I got a call one evening at dusk that the horses were about to be moved to their newly built pavillion, so I raced over and got this shot of some of them stacked up and ready to go. The light was fading too fast, so I only got a couple of good images.
Liza Cowan Photo 1999, Hershell Horses, Greenport NY Carousel
This Hershell beauty was up and rolling when I took the picture. The Greenport Carousel actually has a brass ring, which makes it even more exciting and historic.
Mixed Media by Liza Cowan.
This is a painting I did on top of a photocopy of a photo I took of a Hershell horse at the Greenport, Long Island Carousel. If you've never tried painting on top of a photocopy you should. It's really fun and easy. Best if you put down a coat of clear medium first.
Photo by Liza Cowan. WG riding a Charles Carmel jumper, Prospect Park Carousel
The carousel in Prospect Park, Brooklyn, NY has beautifully renovated horses carved in Coney Island sometime between 1910 and 1915 by Charles Carmel. We spent many an afternoon there. The American Folk Art Museum in New York recently had and exhibit, which I missed, called Gilded Lions and Jeweled Horses, The Synagogue To The Carousel, which traced the art of Jewish immigrant carvers "inspired by their memories of the symbols and forms they left behind. Some of the same Jewish artisans who arrived in America at the turn of the twentieth century and carved for their local synagogues also found work carving horses and other animals for the flourishing carousel industry."
This turn of the century carousel is in the Luxembourg Gardens in Paris. The children can take sticks and try to spear the wooden hoops. This must hark back to when carousels were used to teach jousting to knights. It's as much fun for the children as grabbing for the brass ring. Notice how petite these horses are.
Photo by Liza Cowan.
And then, sometimes, a mechanical horsie -ride -for- a- quarter is just as much fun. Although GW is wearing the same dress as in the Paris photo, it is not the same day, or even the same country. She just adored the dress.
Now we live only a few miles from the Shelburne Museum, Shelburne Vt. They also have a working Hershell Carousel. They also have an amazing collection of historical carved carousel animals. It's worth the trip.