Reader Ginny J-B asked about the reverse painting on glass in the photo of my exhibit at Healthy Living in South Burlington.
The Liza Leger she asked about it is the first one of his works that I FAKEd. I've always been a huge Leger fan. I remember copying "Big Julie" using scraps of color from magazines for my color class during my foundation year at The School Of Visual Arts in NYC. But that wasn't a FAKE! Yet.
During the winter of 1999 or 2000 I was doing a lot of painting on windows, experimenting with color and line. I had just discovered a wonderful glass paint made by Pebeo of France. The line is called Vitrail and I love them. When I was looking at a book of paintings by Leger it dawned on me that the color fields he used in some of his work would look wonderful as translucent shapes.
I was still experimenting when I made this. Well, I'm always experimenting, but in this case I hadn't used translucent paint and opaque paint on the same piece, and I was initially disappointed with the combination, because when you hold the piece up to the light the opaque paint looks nasty. It is the vines on the edges that are opaque. So the whole translucency of the piece was compromised and it had to be a wall piece. I solved this by backing the painting with white board, which actually is great because when light is on the piece, it casts shadows onto the white backing, adding a whole new dimension. Extra bonus - the piece changes with the changing light.
I hadn't thought of the FAKE series when I made this. I just wanted to experiment and have a Leger. Most of the works in the actual series work with tweaking the pieces to see how much I can change a painting, add my own "paw" as the French say, and still have it recognizable as a Leger or a Picasso or a Matisse. This one is almost pure Leger. Except it's not.
So, thanks for asking, Ginny. And yes, the piece is for sale. Price $1,800.